![]() ![]() Bach) – Only 16 bars long, this beautiful aria can be easily learned by a beginner and then be used at a later stage to teach improvised ornamentation. II 132 (anon.) – Another very beautiful reflective minuet, which will develop hand independence.Īria in F (J. II 127 (anon.) – Another excellent preparation for 2-voice inventions. II 126(anon.) – Excellent piece for the virtuoso to be (very easy but impressive), with daring skips on the LH and fast runs on the RH. Bohm) – Another good introduction to counterpoint that is simple enough for any beginner. II 121 (Anon.) – Hauntingly beautiful slow minuet. II 120 (anon.) – Another excellent 2 voice canonic work, that will develop hand independence and yet is easy enough for a beginner. It is a perfect introduction to 2 voice inventions which are far too difficult for a beginner. II 116 (anon.) – Excellent piece to introduce canon (round) writing. For more advanced players there is a lot of scope for learning the art of ornamentation with these two pieces. This minuet is meant to be played with the previous one in ABA form (minuet in G – minuet in Gm – minuet in G). ![]() Petzold) – Beautiful lyrical minuet, reflective and slow. So the very famous minuet in G is actually by Christian Petzold). Here are my favourites from the Little notebook of Anna Magdalena Bach (most of the pieces are not by Bach himself. More suited to an adult player though, on account of the depth of interpretation it requires. Sonata k32 – Just one page long, beautiful and lyrical. Superb pieces by excellent composers that you will not feel ashamed to play even though they are relatively easy (and some sound very difficult but are actually dead easy): ![]()
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